ASTORIA, NY
4 risk indicators measuring financial stability and operational resilience
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Sign In — Free (10 views/day)AMERICAN MUSEUM OF THE MOVING IMAGE, founded in 1988, is a mid-sized nonprofit in the Arts, Culture & Humanities sector that reported $12.1M in total revenue in fiscal year 2024. Revenue surged 51% from the prior year, signaling strong growth momentum. The organization ran a surplus of $3.1M, a strong 26% operating margin.
COLLECTION OF ARTIFACTS: THE MUSEUM COLLECTS HISTORIC AND CONTEMPORARY ARTIFACTS ASSOCIATED WITH THE PRODUCTION, PROMOTION AND EXHIBITION OF MOTION PICTURES, TELEVISION, VIDEO AND DIGITAL MEDIA. COLLECTION ITEMS ACQUIRED EITHER THROUGH PURCHASE OR DONATION ARE NOT CAPITALIZED. PURCHASES OF COLLECTION ITEMS ARE RECORDED AS DECREASES IN UNRESTRICTED NET ASSETS. A DESCRIPTION OF THE CONTENTS OF THE COLLECTION IS KEPT BY THE REGISTRAR AND IS CURRENTLY INSURED FOR A VALUE OF APPROXIMATELY $8,000,000 PLUS $2,400,000 FOR ITEMS ON LOAN.
EXHIBITIONS AND THE COLLECTION:THE MUSEUM PRESENTS AN AMBITIOUS SLATE OF LARGE- AND SMALL-SCALE PERMANENT AND CHANGING EXHIBITIONS AND VIDEO AND ART INSTALLATIONS. THE MUSEUM'S CORE EXHIBITION...
EXHIBITIONS AND THE COLLECTION:THE MUSEUM PRESENTS AN AMBITIOUS SLATE OF LARGE- AND SMALL-SCALE PERMANENT AND CHANGING EXHIBITIONS AND VIDEO AND ART INSTALLATIONS. THE MUSEUM'S CORE EXHIBITION, BEHIND THE SCREEN, IMMERSES VISITORS IN THE CREATIVE PROCESS OF MAKING MOVING IMAGES. IT FEATURES OVER 1,400 ARTIFACTS, FROM NINETEENTH-CENTURY OPTICAL TOYS TO VIDEO GAMES, AS WELL AS AN ARRAY OF INTERACTIVE EXPERIENCES, AUDIOVISUAL MATERIAL, AND ARTWORKS. THE JIM HENSON EXHIBITION EXPLORES THE GROUNDBREAKING VISION AND TRANSFORMATIVE CULTURAL IMPACT OF THE BELOVED AMERICAN ARTIST, FEATURING A BROAD RANGE OF OBJECTS AND MATERIALS INCLUDING PUPPETS, STORYBOARDS AND CHARACTER SKETCHES, AND MOVING-IMAGE MEDIA DOCUMENTING HIS EXPERIMENTAL FILM PROJECTS. CHANGING EXHIBITIONS DURING FISCAL YEAR 2025 INCLUDED MISSION IMPOSSIBLE-STORY AND SPECTACLE, WHICH FOCUSED ON THE ARTISTIC COMMITMENT AND TECHNICAL INGENUITY BEHIND THE REMARKABLE STUNT WORK THAT ARE HIGHLIGHTS OF THE POPULAR FILM FRANCHISE, AND RECORDING THE RIDE: THE RISE OF STREET-STYLE SKATE VIDEOS, WHICH FEATURED VIDEOS AND ARTIFACTS FROM SKATE CULTURE'S FORMATIVE YEARS. THE MUSEUM MAINTAINS THE NATION'S LARGEST AND MOST COMPREHENSIVE COLLECTION OF ARTIFACTS RELATING TO THE ART, HISTORY, AND TECHNOLOGY OF THE MOVING IMAGE. WITH APPROXIMATELY 130,000 ARTIFACTS, THE COLLECTION, WHICH INCLUDES COSTUMES, LICENSED MERCHANDISE, TECHNICAL APPARATUS, MOVIE THEATER FURNISHINGS, AND VIDEO AND COMPUTER GAMES, SPANS FROM THE SILENT FILM ERA TO TODAY'S WORLD OF DIGITAL MEDIA CREATION.
SCREENINGS, EVENTS, AND ONLINE PROJECTS:EACH YEAR THE MUSEUM SCREENS MORE THAN 500 FILMS, PRESENTING A PANORAMIC VIEW OF THE MOVING IMAGE, WITH LIVE MUSIC FOR SILENT FILMS, RESTORED PRINTS FROM THE...
SCREENINGS, EVENTS, AND ONLINE PROJECTS:EACH YEAR THE MUSEUM SCREENS MORE THAN 500 FILMS, PRESENTING A PANORAMIC VIEW OF THE MOVING IMAGE, WITH LIVE MUSIC FOR SILENT FILMS, RESTORED PRINTS FROM THE WORLD'S LEADING ARCHIVES, AND NEW FILMS FROM THE INTERNATIONAL FESTIVAL CIRCUIT, THE MUSEUM'S SCREENING PROGRAM PROVIDES A STATE-OF-THE-ART, IMMERSIVE VIEWING EXPERIENCE FOR VISITORS. ANNUAL PROGRAMS THAT CONTINUED IN FISCAL YEAR 2025 INCLUDED THE 14TH ANNUAL EDITION OF FIRST LOOK, WHICH INTRODUCED AUDIENCES TO WORKS FROM AROUND THE WORLD, ENCOMPASSING FEATURE AND SHORT FILMS, FICTION AND NONFICTION, AND PERFORMANCES AND EXPERIMENTS; AND SEE IT BIG, THE MUSEUM'S REGULAR SHOWCASE OF FILMS THAT ARE MEANT TO BE SEEN ON THE BIG SCREEN, WITH PROGRAMS DEVOTED TO 70MM FILMS AND HOLIDAY FILMS. WIDE-RANGING PROGRAMS PRESENTED IN FISCAL YEAR 2025 INCLUDED PERSONAL BELONGINGS: FIRST- PERSON DOCUMENTARY IN THE 1990S AND THE MAGIC OF OZ: A FRANK OZ RETROSPECTIVE. AS PART OF OPEN WORLDS, A 15,500 SQUARE-FOOT, WI-FI-ENABLED, FREE COMMUNITY RESOURCE FOR VISITORS TO CONVENE, FIND CREATIVE INSPIRATION, AND EXPERIENCE NEW MEDIA TECHNOLOGIES, THE MUSEUM PRESENTED FREE PROGRAMS FOCUSING ON THE CRAFT BEHIND MOVING IMAGES, PUPPETEERING WORKSHOPS, AND LIVE MUSIC AND DANCE CELEBRATIONS . THE MUSEUM'S WEBSITE, MOVINGIMAGE.ORG, IS A REPOSITORY OF MOVING IMAGE RELATED MATERIAL AND LORE AND FEATURES THE ONLINE JOURNALS REVERSE SHOT AND SLOAN SCIENCE & FILM, WHICH CONTINUE TO PUBLISH WORKS EXPLORING THE PAST, PRESENT, AND FUTURE OF THE MOVING IMAGE, AND THE INTERSECTION OF SCIENCE AND CINEMA, RESPECTIVELY.
EDUCATION AND COMMUNITY ENGAGEMENTTHE MUSEUM PROVIDES EDUCATIONAL EXPERIENCES TO MORE THAN 70,000 STUDENTS EACH YEAR, AS WELL AS AN ARRAY OF DYNAMIC AND MULTI-LINGUAL TOURS, TALKS, WORKSHOPS, AND...
EDUCATION AND COMMUNITY ENGAGEMENTTHE MUSEUM PROVIDES EDUCATIONAL EXPERIENCES TO MORE THAN 70,000 STUDENTS EACH YEAR, AS WELL AS AN ARRAY OF DYNAMIC AND MULTI-LINGUAL TOURS, TALKS, WORKSHOPS, AND SCREENINGS FOR CHILDREN, TEENS, FAMILIES, ADULTS, AND SENIORS. IN-PERSON AND VIRTUAL WORKSHOPS RANGE FROM FILM APPRECIATION AND WORLD-BUILDING WITH VIDEO GAMES TO SCIENCE-FICTION CINEMA, HANDS-ON MEDIA MAKING AND PUPPETRY FOR THE SCREEN. GAME LAB OFFERS A DYNAMIC SPACE FOR VISITORS OF ALL AGES TO EXPERIMENT WITH THE LATEST IN DIGITAL TECHNOLOGY TO CREATE GAMES AND ANIMATIONS. MARVELS OF MEDIA, THE MUSEUM'S ANNUAL FESTIVAL RECOGNIZING THE OUTSTANDING MEDIA WORK OF AUTISTIC MEDIA-MAKERS THROUGH FILM SCREENINGS, AN EXHIBITION, AND IN-DEPTH PANEL DISCUSSIONS, AND ACCESS MORNINGS, A FREE PROGRAM PROVIDING FAMILIES ON THE AUTISM SPECTRUM AN OPPORTUNITY TO EXPLORE EXHIBITIONS AND PARTICIPATE IN SPECIALIZED WORKSHOPS, CONTINUED IN FISCAL YEAR 2025. DIGITAL GAME DESIGN INTENSIVES AND SUMMER MEDIA CAMPS, LED BY PROFESSIONAL FILMMAKERS AND GAME DESIGNERS, PROVIDED TEENS AND TWEENS WITH THE OPPORTUNITY TO COLLABORATE IN THE CREATION OF DIGITAL MEDIA. THE ANNUAL TEEN COUNCIL PROGRAM CONTINUED TO SERVE AS A JOB DEVELOPMENT PROGRAM FOR TEENS INTERESTED IN THE MEDIA ARTS, WITH COUNCIL MEMBERS CURATING AND PROGRAMMING PUBLIC EVENTS FOR YOUTH. IN PARTNERSHIP WITH LOCAL HIGH SCHOOLS, MUSEUM EDUCATORS BRING THE LATEST IN DIGITAL TECHNOLOGY TO STUDENTS IN THEIR CLASSROOMS.
Financial Health Score (300–850) · Liquidity · Solvency · Sustainability · Efficiency
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Liquidity (40%) • Solvency (30%) • Sustainability (20%) • Efficiency (10%)
Sign In — Free (10 views/day)| 2024 | 2023 | Change | |
|---|---|---|---|
| Revenue | $12,101,609 | $8,015,318 | +0.5% |
| Expenses | $8,978,232 | $8,374,715 | +0.1% |
| Net Income | $3,123,377 | $-359,397 | -9.7% |
Comprehensive financial analysis: Altman Z-Score, liquidity, solvency, sustainability, efficiency, and growth metrics
Financial Distress Indicator
Liquidity & Cash Position
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Altman Z-Score • Liquidity Ratios • Solvency Analysis • Growth Indicators • Efficiency Metrics
Sign In| Name | Title | Hours/Week | Role | Reportable Comp | Other Comp | Total |
|---|---|---|---|---|---|---|
| AZIZ ISHAM | EXECUTIVE DIRECTOR | 40.00 |
Officer
Director
|
$313,999 | $37,800 | $351,799 |
| IVAN L LUSTIG | CO-CHAIRMAN | 1.00 |
Officer
Director
|
$0 | $0 | $0 |
| MICHAEL BARKER | CO-CHAIRMAN | 1.00 |
Officer
Director
|
$0 | $0 | $0 |
| HELEN LEE | VICE-CHAIRMAN AND SECRETARY | 1.00 |
Officer
Director
|
$0 | $0 | $0 |
| MARK SIMONIAN | TREASURER | 1.00 |
Officer
Director
|
$0 | $0 | $0 |
| CHRIS BARBOUR | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| ADAM BARTOS | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| MATTHEW C BLANK | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| JEB BRODY | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| MICHELLE BYRD | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| MARIA CACERES-BONEAU | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| ELLINE DELSENER | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| KAREN FALK | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| ALEX FEERST | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| JO-ANN FOX-WEINGARTEN | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| JEFF HASLER | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| LYNN JACOBSON | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| LINDA LEROY JANKLOW | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| JON KAMEN | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| JEFFREY KATZENBERG | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| MATTHEW LOEB | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| JOHN T MCGUIRE | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| WALTER MOSELY | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| THOMAS J O'DONNELL | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| DENNIS PAUL | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| RICHARD PLEPLER | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| ALBERTO ROBAINA | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| JOSHUA W SAPAN | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| HENRY S SCHLEIFF | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| JEFFREY ZUCKER | TRUSTEE | 1.00 |
Director
|
$0 | $0 | $0 |
| CHRISTINA KARAHALIOS | COO AND CFO | 40.00 |
Officer
|
$223,018 | $42,085 | $265,103 |
| FRED BAEZ | CHIEF PROJECTIONIST | 35.00 |
Highest
|
$142,296 | $13,837 | $156,133 |
| BARBARA MILLER | DEPUTY DIRECTOR | 40.00 |
Highest
|
$113,196 | $57,545 | $170,741 |
| MAURICIO ROLDAN | IT DIRECTOR | 40.00 |
Highest
|
$110,834 | $53,254 | $164,088 |
| Year | Revenue | Expenses | Assets | Net Income |
|---|---|---|---|---|
| 2025 | $12,101,609 | $8,978,232 | $10,815,511 | $3,123,377 |
| 2024 | $8,015,318 | $8,374,715 | $4,470,826 | $-359,397 |
| 2023 | $7,152,156 | $8,279,790 | $4,928,907 | $-1,127,634 |
| 2022 | $7,886,469 | $7,349,050 | $6,228,399 | $537,419 |
| 2021 | $5,453,055 | $4,398,255 | $5,870,489 | $1,054,800 |
| 2020 | $6,046,534 | $6,062,483 | $5,574,526 | $-15,949 |
| 2019 | $7,269,975 | $7,519,922 | $5,615,257 | $-249,947 |
| 2018 | $7,268,366 | $8,016,785 | $5,574,148 | $-748,419 |
Compare AMERICAN MUSEUM OF THE MOVING IMAGE with other nonprofits in New York and across the country.