NEW YORK, NY
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Sign In — Free (10 views/day)THE VIVIAN BEAUMONT THEATERINC D/B/A LINCOLN CENTER THEATER, founded in 1979, is a mid-sized nonprofit in the Arts, Culture & Humanities sector that reported $71.3M in total revenue in fiscal year 2024. Revenue grew 18% year-over-year, indicating healthy expansion. The organization ran a surplus of $12.5M, a strong 18% operating margin.
THE ORGANIZATION'S FUNDAMENTAL PURPOSE, AS ADOPTED IN ITS BY-LAWS, IS(1) TO PRESENT, DEVELOP, AND ENCOURAGE THE HIGHEST EXCELLENCE IN THE PERFORMING ARTS; (2) TO ENCOURAGE AND ADVANCE THE PUBLIC KNOWLEDGE AND APPRECIATION OF DRAMA AND CLASSICAL, ARTISTIC, MUSICAL, LITERARY AND SOCIAL TRADITION BY THEATRICAL PERFORMANCES AVAILABLE TO THE LARGEST POSSIBLE AUDIENCES, ENCOMPASSING THE FULL ECONOMIC AND SOCIAL SPECTRUM; (3) TO MAINTAIN ACCESSIBILITY TO LINCOLN CENTER THEATER BY MAINTAINING THE LOWEST PRACTICABLE TICKET PRICES; (4) TO PROMOTE INTEREST IN THE STUDY OF THEATER ARTS AND DRAMA IN PARTICULAR BY PROVIDING THE ORGANIZATION'S ARTISTS, PERFORMERS, MANAGERS AND EMPLOYEES WITH AN ATMOSPHERE OF FREEDOM TO PURSUE CREATIVE OBJECTIVES AND WITH WORKING CONDITIONS ALTOGETHER ENCOURAGING EXCELLENCE IN THE ARTS, HUMAN DIGNITY, AND INDIVIDUAL FREEDOM; AND (5) TO PROVIDE THE PREMISES, ATMOSPHERE AND SUPPORT FOR GROUPS OF PERFORMERS WHO SHARE THE ARTISTIC STANDARDS, PURPOSES AND ASP
THEATRICAL PRODUCTION AND OPERATIONS, INCLUDING ARTISTIC STAFF AND FACILITIESTHE ORGANIZATION PRESENTS NOT-FOR-PROFIT THEATRICAL PRODUCTIONS TO THE GENERAL PUBLIC AT THE VIVIAN BEAUMONT AND MITZI E...
THEATRICAL PRODUCTION AND OPERATIONS, INCLUDING ARTISTIC STAFF AND FACILITIESTHE ORGANIZATION PRESENTS NOT-FOR-PROFIT THEATRICAL PRODUCTIONS TO THE GENERAL PUBLIC AT THE VIVIAN BEAUMONT AND MITZI E. NEWHOUSE THEATERS AT LINCOLN CENTER, AS WELL AS WORKS BY YOUNG AND EMERGING ARTISTS (THE LCT3 PROGRAM) AT THE CLAIRE TOW THEATER AT LINCOLN CENTER. THE FOLLOWING PRODUCTIONS WERE PRESENTED: "MCNEAL" (BEAUMONT THEATER, 76 PERFS., ATTENDANCE 83,220);"FLOYD COLLINS" (BEAUMONT THEATER, 98 PERFS., ATTENDANCE 81,700);"THE BLOOD QUILT" (NEWHOUSE THEATER, 65 PERFS., ATTENDANCE 16,779);"GHOSTS" (NEWHOUSE THEATER, 82 PERFS., ATTENDANCE 22,697);"SIX CHARACTERS" (TOW THEATER, 50 PERFS., ATTENDANCE 5,224);"FIVE MODELS IN RUINS, 1981" (TOW THEATER, 50 PERFS., ATTENDANCE 5,267).
MARKETING, EDUCATION & OUTREACHTHE EDUCATION AND COMMUNITY ENGAGEMENT DEPARTMENT WORKS WITH THOUSANDS OF NEW YORKERS EACH YEAR IN SCHOOLS AND IN THEIR COMMUNITIES, AS WELL AS AT LINCOLN CENTER...
MARKETING, EDUCATION & OUTREACHTHE EDUCATION AND COMMUNITY ENGAGEMENT DEPARTMENT WORKS WITH THOUSANDS OF NEW YORKERS EACH YEAR IN SCHOOLS AND IN THEIR COMMUNITIES, AS WELL AS AT LINCOLN CENTER THEATER (LCT). OUR EDUCATION PROGRAMS CONNECT THE ARTISTRY ON OUR STAGES TO NEW YORK CITY PUBLIC SCHOOLS IN PARTNERSHIPS THAT SUPPORT CREATIVE TEACHING AND IMAGINATIVE STUDENT LEARNING THROUGH THEATER. OUR COMMUNITY ENGAGEMENT PROGRAMS USE THEATER AS A TOOL TO SPARK CURIOSITY, FOSTER COMPASSION, AND EMPOWER OUR COMMUNITIES. LCT HAS FIVE MAIN EDUCATION INITIATIVES THAT SERVE BOTH STUDENTS AND TEACHERS IN NEW YORK CITY'S PUBLIC MIDDLE AND HIGH SCHOOLS. THE HIGH SCHOOL PROGRAM PROVIDES IN-SCHOOL WORKSHOPS CONDUCTED BY TEACHING ARTISTS AS WELL AS FREE TICKETS FOR OUR PRODUCTIONS. THE SHAKESPEARE PROGRAM PROVIDES STUDENTS WITH AN INTRODUCTION TO THE PLAYWRIGHT BY APPROACHING HIS LANGUAGE AS ACTORS. THE LEAD (LEARNING ENGLISH AND DRAMA) PROJECT HELPS MULTILINGUAL LEARNERS IMPROVE THEIR ENGLISH-LANGUAGE SPEAKING SKILLS BY UTILIZING THEATER TECHNIQUES. THE SONGWRITING IN SCHOOLS PROGRAM BRINGS PROFESSIONAL LYRICISTS AND COMPOSERS INTO CLASSROOMS TO TEACH STUDENTS HOW TO WRITE SONGS FROM A CHARACTER'S POINT OF VIEW. AFTER-SCHOOL INITIATIVES INCLUDE PERFORMANCE PROJECTS AND PROFESSIONAL MENTORSHIP OPPORTUNITIES. LCT'S EDUCATION PROGRAMS REACH A TOTAL OF APPROXIMATELY 4,700 STUDENTS AND 80 TEACHERS EACH YEAR. LCT'S COMMUNITY ENGAGEMENT PROGRAMS INVITE PEOPLE INTO OUR BUILDING TO FIND COMMUNITY AND TAP INTO THEIR CREATIVITY THROUGH PROGRAMMING IN OUR PUBLIC SPACES. WE ALSO SUPPORT MUNICIPAL RESIDENCIES, WHICH BRING TEACHING ARTISTS INTO COMMUNITIES ACROSS NYC TO ENGAGE IN STORYTELLING, PLAY, AND CREATIVE EXPLORATION WITH PEOPLE OF ALL AGES AND BACKGROUNDS. THE THEATER'S MEMBERSHIP PROGRAM IS AN AUDIENCE DEVELOPMENT PROGRAM SERVICING APPROXIMATELY 20,000 LINCOLN CENTER THEATER MEMBERS, EACH OF WHOM, AFTER PAYMENT OF AN ANNUAL FEE, IS ENTITLED TO PURCHASE ONE TICKET TO EACH OF THE THEATER'S PRODUCTIONS AT A SUBSTANTIAL DISCOUNT (SUBJECT IN SOME CIRCUMSTANCES TO AVAILABILITY) AND TO RECEIVE SPECIAL INFORMATION AND SERVICE IN THE ORDERING OF TICKETS. OVER 45,000 YOUNGER MEMBERS, UNDER THE LINCTIX PROGRAM, ARE ENTITLED TO MEMBERSHIP BENEFITS AND DISCOUNTS WITHOUT THE PAYMENT OF AN ANNUAL FEE.
SPECIAL ARTISTIC PROJECTS.SPECIAL ARTISTIC PROJECTS INCLUDE DEVELOPMENTAL WORKSHOPS AND READINGS OF NEW PLAYS AND MUSICALS (THE PLAY DEVELOPMENT PROGRAM), COMMISSIONS FOR NEW PLAYS AND OPERAS, AND...
SPECIAL ARTISTIC PROJECTS.SPECIAL ARTISTIC PROJECTS INCLUDE DEVELOPMENTAL WORKSHOPS AND READINGS OF NEW PLAYS AND MUSICALS (THE PLAY DEVELOPMENT PROGRAM), COMMISSIONS FOR NEW PLAYS AND OPERAS, AND THE PUBLICATION OF THE LINCOLN CENTER THEATER REVIEW, A JOURNAL OF THE DRAMA. GRANTS AND AWARDS WITHIN THIS PROGRAM SERVICE ARE THE CULLMAN AWARD FOR CREATIVE ACHIEVEMENT.
Financial Health Score (300–850) · Liquidity · Solvency · Sustainability · Efficiency
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Liquidity (40%) • Solvency (30%) • Sustainability (20%) • Efficiency (10%)
Sign In — Free (10 views/day)| 2024 | 2023 | Change | |
|---|---|---|---|
| Revenue | $71,294,644 | $60,643,840 | +0.2% |
| Expenses | $58,791,090 | $44,845,442 | +0.3% |
| Net Income | $12,503,554 | $15,798,398 | -0.2% |
Comprehensive financial analysis: Altman Z-Score, liquidity, solvency, sustainability, efficiency, and growth metrics
Financial Distress Indicator
Liquidity & Cash Position
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Altman Z-Score • Liquidity Ratios • Solvency Analysis • Growth Indicators • Efficiency Metrics
Sign In| Name | Title | Hours/Week | Role | Reportable Comp | Other Comp | Total |
|---|---|---|---|---|---|---|
| ANDRE S BISHOP TO 63025 | PRODUCING ARTISTIC DIRECTO | 40.00 |
Officer
Director
|
$941,270 | $43,232 | $984,502 |
| KEWSONG LEE | CHAIRMAN OF BOARD | 2.00 |
Officer
Director
|
$0 | $0 | $0 |
| DAVID F SOLOMON | PRESIDENT | 2.00 |
Officer
Director
|
$0 | $0 | $0 |
| JAMES-KEITH BROWN | CHAIR, EXEC. COMMITTEE | 2.00 |
Officer
Director
|
$0 | $0 | $0 |
| JONATHAN Z COHEN | VICE CHAIRMAN | 2.00 |
Officer
Director
|
$0 | $0 | $0 |
| JANE LISMAN KATZ | VICE CHAIRMAN | 2.00 |
Officer
Director
|
$0 | $0 | $0 |
| ROBERT POHLY TO 6525 | VICE CHAIRMAN | 2.00 |
Officer
Director
|
$0 | $0 | $0 |
| JOHN W ROWE | VICE CHAIRMAN | 2.00 |
Officer
Director
|
$0 | $0 | $0 |
| DAVID WARREN | VICE CHAIRMAN | 2.00 |
Officer
Director
|
$0 | $0 | $0 |
| MARLENE HESS | TREASURER | 2.00 |
Officer
Director
|
$0 | $0 | $0 |
| BROOKE GARBER NEIDICH | SECRETARY | 2.00 |
Officer
Director
|
$0 | $0 | $0 |
| ANNETTE TAPERT ALLEN | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| ALLISON M BLINKEN | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| JUDITH BYRD | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| H RODGIN COHEN | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| IDA COLE | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| IDE DANGOOR | DIRECTOR | 1.50 |
Director
|
$0 | $0 | $0 |
| SHARI EBERTS | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| CURTLAND E FIELDS | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| CHRIS GALLEA | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| HENRY LOUIS GATES JR | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| CATHY B GRAHAM | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| DAVID J GREENWALD | DIRECTOR | 1.50 |
Director
|
$0 | $0 | $0 |
| ANUJ GUPTA | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| J TOMILSON HILL TO 6525 | DIRECTOR | 2.00 |
Director
|
$0 | $0 | $0 |
| JUDITH HILTZ | DIRECTOR | 1.50 |
Director
|
$0 | $0 | $0 |
| SANDRA HOFFEN | DIRECTOR | 1.50 |
Director
|
$0 | $0 | $0 |
| LINDA LEROY JANKLOW | DIRECTOR | 2.00 |
Director
|
$0 | $0 | $0 |
| RAYMOND JOABAR | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| MITCHELL R JULIS | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| ERIC KUHN TO 6525 | DIRECTOR | 1.50 |
Director
|
$0 | $0 | $0 |
| BETSY KENNY LACK TO 6525 | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| PHYLLIS MAILMAN TO 121124 | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| ELLEN R MARRAM | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| SCOTT M MILLS | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| ERIC M MINDICH | DIRECTOR | 2.00 |
Director
|
$0 | $0 | $0 |
| JOHN MORNING | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| ELYSE NEWHOUSE | DIRECTOR | 1.50 |
Director
|
$0 | $0 | $0 |
| JACK O'KELLEY III | DIRECTOR | 1.50 |
Director
|
$0 | $0 | $0 |
| ANDREW J PECK | DIRECTOR | 1.50 |
Director
|
$0 | $0 | $0 |
| MICHAEL ROBERTS | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| BRUCE ROSENBLUM | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| STEPHANIE SHUMAN | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| LAURA SPEYER | DIRECTOR | 1.50 |
Director
|
$0 | $0 | $0 |
| TONY SPRING | DIECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| ALEXA DAVIDSON SUSKIN | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| MARIA TASH | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| ELECTRA TOUB | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| LEONARD TOW | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| TRACEY TRAVIS | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| JULIE TURJA | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| KARA UTERBERG | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| STELLENE VOLANDES | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| JOHANNA WOLFE | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| WILLIAM D ZABEL | DIRECTOR | 1.00 |
Director
|
$0 | $0 | $0 |
| VANESSA KUBACH | DIRECTOR OF FINANCE | 40.00 |
Officer
|
$172,569 | $14,670 | $187,239 |
| BARTLETT SHER | EXECUTIVE PRODUCER | 40.00 |
Key Emp
|
$343,207 | $57,676 | $400,883 |
| ADAM SIEGEL | MANAGING DIRECTOR | 40.00 |
Key Emp
|
$493,975 | $55,527 | $549,502 |
| NAOMI GRABEL | EXEC. DIR. DEVEL. & PLANNI | 40.00 |
Key Emp
|
$430,662 | $49,948 | $480,610 |
| PAUL SMITHYMAN | PRODUCTION MANAGER | 40.00 |
Key Emp
|
$236,142 | $51,060 | $287,202 |
| LINDA MASON ROSS | DIRECTOR OF MARKETING | 40.00 |
Key Emp
|
$234,032 | $51,207 | $285,239 |
| IRA WEITZMAN | MUSICAL THTR. ASSOC. PROD. | 40.00 |
Key Emp
|
$185,590 | $24,272 | $209,862 |
| JESSICA NIEBANCK | GENERAL MANAGER | 40.00 |
Key Emp
|
$172,160 | $42,185 | $214,345 |
| DANIEL SWEE | CASTING DIRECTOR | 40.00 |
Highest
|
$284,215 | $42,183 | $326,398 |
| KYLE BARRINEAU | STAGE TECHNICIAN | 40.00 |
Highest
|
$238,693 | $95,477 | $334,170 |
| BRUCE A RUBIN | STAGE TECHNICIAN | 40.00 |
Highest
|
$232,106 | $92,843 | $324,949 |
| JOSHUA N RICH | STAGE TECHNICIAN | 40.00 |
Highest
|
$221,599 | $73,128 | $294,727 |
| WILLIAM NAGLE | STAGE TECHNICIAN | 40.00 |
Highest
|
$221,827 | $88,730 | $310,557 |
| Year | Revenue | Expenses | Assets | Net Income |
|---|---|---|---|---|
| 2025 | $71,294,644 | $58,791,090 | $179,176,072 | $12,503,554 |
| 2024 | $60,643,840 | $44,845,442 | $169,421,873 | $15,798,398 |
| 2023 | $23,707,421 | $50,185,207 | $162,167,458 | $-26,477,786 |
| 2022 | $49,101,670 | $46,588,786 | $167,436,902 | $2,512,884 |
| 2021 | $19,952,200 | $17,030,454 | $199,499,593 | $2,921,746 |
| 2020 | $27,550,345 | $30,751,775 | $166,456,784 | $-3,201,430 |
| 2019 | $72,853,604 | $63,928,774 | $171,870,004 | $8,924,830 |
| 2018 | $46,585,875 | $46,280,644 | $179,025,926 | $305,231 |
Compare THE VIVIAN BEAUMONT THEATERINC D/B/A LINCOLN CENTER THEATER with other nonprofits in New York and across the country.