MINT THEATER COMPANY INC

FROM SEPTEMBER 30 THROUGH NOVEMBER 12, 2023, THE ORGANIZATION PRESENTED PARTNERSHIP BY ELIZABETH BAKER AT THEATRE ROW, 410 WEST 42ND ST. JACKSON GAY DIRECTED, DESIGNERS WERE DANIEL BAKER, CHRIS FIELDS, MARY LOUISE GEIGER, AND ALEXANDER WOODWARD. PARTNERSHIP WAS THE ORGANIZATION'S THIRD PLAY BY ELIZABETH BAKER, AFTER THE PRICE OF THOMAS SCOTT IN 2019 AND CHAINS IN 2022.TOTAL ATTENDANCE FOR PARTNERSHIP WAS 3,536 INDIVIDUALS OVER 43 PERFORMANCES, OR 85% CAPACITY. AS A SIGN OF THE TIMES, ONE-THIRD OF THE TICKETS WERE GIVEN AWAY TO APPRECIATIVE THEATERGOERS, A FAR HIGHER PERCENTAGE THAN FOR MOST PERFORMANCES BEFORE THE PANDEMIC.PARTNERSHIP IS THE STORY OF KATE ROLLING, AN INDEPENDENT PROFESSIONAL WOMAN HAPPILY RUNNING A SUCCESSFUL BUSINESS WITH NO INTEREST IN MARRIAGE UNTIL GEORGE PILLATT, OWNER OF THE BIGGEST SHOP IN BRIGHTON, PROPOSES A MERGER ON FAVORABLE TERMS-INCLUDING MATRIMONY."BAKER'S DIALOGUE HAS A BRIGHT, LIVELY SHEEN, AND SHE ILLUMINATES WITH A PROBING INTELLIGENCE THE LIVES OF WOMEN OF THE TIME, WHO, HOWEVER SUCCESSFUL IN BUSINESS, MUST ALSO RECOGNIZE THAT MARRIAGE WILL ALWAYS BE SEEN BY THE CULTURE AS THE MEASURE OF A WOMAN'S REAL ACHIEVEMENT." CHARLES ISHERWOOD, THE WALL STREET JOURNAL.IN THE SPRING OF 2024, THE ORGANIZATION OFFERED FREE STREAMING OF ITS THREE-CAMERA 4K RECORDING OF THE ORGANIZATION'S WORLD PREMIERE PRODUCTION OF BECOMES A WOMAN BY BETTY SMITH. STREAMING WAS AVAILABLE ON-DEMAND, DIRECTLY FROM THE ORGANIZATION'S WEBSITE, WITH CLOSED CAPTIONING AVAILABLE. ACCORDING TO THE ORGANIZATION'S VIDEO HOSTING SITE (VIMEO) 1,849 UNIQUE VIEWERS WATCHED 2,995 HOURS OF BECOMES A WOMAN OVER A FOUR-WEEK PERIOD. VIEWERS LIVE IN EVERY U.S. STATE, WITH ABOUT 10% COMING FROM OTHER COUNTRIES. VIEWERS ARE REQUIRED TO LOGIN WITH AN EMAIL ADDRESS ENABLING US TO KNOW MORE ABOUT WHO IS WATCHING. 66% OF VIEWERS HAVE NEVER SEEN ANY OF THE ORGANIZATION'S PRODUCTIONS IN PERSON. 3% SAW THE PRODUCTION LIVE. TWENTY-SIX PERCENT OF VIEWERS WERE WATCHING THEIR FIRST MINT ARCHIVAL VIDEO. IN 2020 AND 2021 THERE WAS PLENTY OF PRESS ATTENTION FOR STREAMING OFFERINGS, BUT THAT ATTENTION HAS TAPERED OFF SIGNIFICANTLY OVER THE LAST TWO YEARS. FIFTEEN PERCENT OF THOSE NEW STREAMERS ARE PEOPLE WHO WERE NOT PREVIOUSLY ON THE ORGANIZATION'S MAILING LIST AT ALL, PROVING THAT EVEN POST-PANDEMIC NEW AUDIENCES CAN BE REACHED FOR STREAMING. THIRTY PERCENT OF VIEWERS MADE A CONTRIBUTION.THE ORGANIZATION EXPECTS TO CONTINUE TO RELY ON ALL ITS AVAILABLE RESOURCES IN THE FUTURE. THAT INCLUDES INVESTMENT INCOME, CONTRIBUTIONS, DRAWING FROM CAPITAL RESERVES-COMBINED WITH A MINIMAL EXPECTATION OF EARNED INCOME FROM TICKET SALES. THE ORGANIZATION MEASURES SUCCESS BY THE RIGOR WITH WHICH IT STICKS TO ITS MISSION, THE PRIDE TAKEN IN ARTISTIC CHOICES AND THE AFFIRMATION AND ENCOURAGEMENT RECEIVED FROM THE AUDIENCE AND SUPPORTERS.