TWIN CITIES MEDIA ALLIANCE

EIN: 421670009 501(c)(3) Arts, Culture & Humanities

Minneapolis, MN

Total Revenue
$215,172
Total Expenses
$222,238
Total Assets
$314,177
Net Assets
$313,617
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Financial Vulnerability Assessment (Tuckman-Chang)

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Financial Trends

Organization Details

Formation Year
2005
Legal Domicile
MN
Principal Officer
Adaobi Okolue
Phone
6123383963
Tax Period
2022-01-01 to 2022-12-31

TWIN CITIES MEDIA ALLIANCE, founded in 2005, is a small nonprofit in the Arts, Culture & Humanities sector that reported $215K in total revenue in fiscal year 2022. Revenue grew 18% year-over-year, indicating healthy expansion.

Mission

The mission of the Twin Cities Media Alliance is to equip community members--particularly individuals from or working in marginalized communities-- with the power of media arts to define and amplify their narratives, connect across communities, and ultimately drive new thinking and engagement around their stories. This is done in two ways: providing media arts and communications trainings, and executing media arts projects and events like Our Space is Spoken For.

Program Service Accomplishments

Program 1
Expenses: $55,462 Revenue: $22,518

MEDIA ARTS PROJECTS: OUR SPACE IS SPOKEN FOR Our Space Is Spoken For is a multidisciplinary public art storytelling project pairing BIPOC artists into teams of two with a St. Paul BIPOC resident to...

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MEDIA ARTS PROJECTS: OUR SPACE IS SPOKEN FOR Our Space Is Spoken For is a multidisciplinary public art storytelling project pairing BIPOC artists into teams of two with a St. Paul BIPOC resident to create performance-based public art rooted in residents' stories. The performance and process are captured by film and publicly screened as a documentary. In 2022, TCMA completed part two of the 2021-2022 Our Space program-developing and publicly screening the Our Space film documentary. Hosted at Metropolitan State University in St. Paul, the film featured Marlina Gonzalez (Filipina, literary, theater, and media artist) and David Bullard aka Orko Eloheim (Black/African American man, sound and visual artist) with community member Davida Kilgore; Atim Opoka (Black/Ugandan American woman, sound artist) and Johanna Keller Flores (Latinx, Peruvian American, theater artist) with community member Reies Romero; Kalinda Melvin (South Asian American woman, puppeteer) and Essence Jamila Batts (Black/African American woman, dancer/choreographer) with community member Houa Moua; Akiem Scott (Black/African American man, sound artist) and Joshua Gillespie (Black/African American man, visual, spoken word and movement artist) with community member Princess Haley. The film screening event received overwhelmingly positive reviews, with attendees describing it as committed, powerful, Creative, and decadent. People appreciated the welcoming atmosphere, the focus on BIPOC communities, and the impact on Saint Paul's BIPOC community. Capturing these sentiments, one attendee remarked that it's a must-see film that honors Black and Brown people in a way that most films don't. Nonetheless, even with a virtual attendance option, the combined in-person and virtual attendance was lower than in 2018. This is likely due to people still getting reacclimated to public gatherings amidst ongoing COVID-19 concerns, the waning of virtual attendance (i.e., Zoom fatigue), and timing issues. The film itself was highly praised for its visual appeal, strong narrative, and humor, which provided a refreshing perspective on the events of 2020, avoiding excessive trauma and pain. Attendees resonated with the stories of Davida and Princess Haley and appreciated the context provided for the performances, deepening their connections to the storytellers. Feedback suggested a need to build stronger relationships with Saint Paul's Indigenous community and provide more clarity about the film's subjects and context. The panel discussion was also well-received, offering insight into the artists' processes and experiences during and after the fellowship. Attendees appreciated the thoughtful questions from moderators Tish Jones and Dameun Strange. Some expressed a desire for community storytellers to be involved in the panel, depending on their willingness and depth of involvement. Overall, the event was a success, with attendees lauding the film and panel discussion while providing constructive feedback for future iterations, such as better representation and sound system testing.

Program 2
Expenses: $27,762 Revenue: $27,762

MEDIA ARTS TRAININGS AND SERVICES: PROLOG PROLOG is a dedicated space serving TCMA's community of practicing BIPOC media artists. Previously, TCMA offered media arts training in film, photography...

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MEDIA ARTS TRAININGS AND SERVICES: PROLOG PROLOG is a dedicated space serving TCMA's community of practicing BIPOC media artists. Previously, TCMA offered media arts training in film, photography, narrative journalism, and audio storytelling for emerging media storytellers. Like others, the pandemic served as an opportunity to review and reimagine our programs. In 2022, part of that included bringing together a group of BIPOC media artists to capture insights about their pain points, needs, and visions for how TCMA and the larger Twin Cities could help them advance through all stages of their careers. Through these conversations and subsequent gatherings, we are able to more clearly define and shape what role TCMA could play in shaping the Twin Cities film community and go beyond a seat at the table; and to build a hub for BIPOC filmmakers to be able to deepen their craft, explore their stories, and to revel in their artistry.

Program 3
Expenses: $0 Revenue: $0

MEDIA ARTS PROJECTS: TWIN CITIES DAILY PLANET For over 15 years, contributors reported local policy and profiled distinguished community members to ignite civic action, advance equity, and reveal the...

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MEDIA ARTS PROJECTS: TWIN CITIES DAILY PLANET For over 15 years, contributors reported local policy and profiled distinguished community members to ignite civic action, advance equity, and reveal the meaning in our day-to-day lives. We've intentionally paused to gather feedback from community stakeholders about content and engagement, as well as research innovative tech to incubate the next iteration of the Daily Planet with a new Editor.

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Trantor Score

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Liquidity (40%) • Solvency (30%) • Sustainability (20%) • Efficiency (10%)

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Financial Overview (2022)

Revenue Breakdown

Contributions & Grants $208,567
Program Service Revenue $5,589
Investment Income $372
Other Revenue $644
TOTAL REVENUE $215,172

Expense Breakdown

Grants Paid $0
Salaries & Benefits $173,329
Fundraising Expenses $43,023
Program Expenses $83,224
Other Expenses $48,909
TOTAL EXPENSES $222,238

Year-over-Year Comparison

2022 2021 Change
Revenue $215,172 $182,902 +0.2%
Expenses $222,238 $255,687 -0.1%
Net Income $-7,066 $-72,785 -0.9%
Key Indicators
Grants to Organizations Grants to Individuals Lobbying Political Activity Foreign Activities Donor Advised Fund Schedule B Required
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Governance

Voting Members
5
Independent Members
5
Employees
3
Volunteers
N/A

Governance Policies

Conflict of Interest Policy
Whistleblower Policy
Document Retention Policy

Special Practices & Reported Activities

Operated a School
Operated a Hospital
Provided First Class Travel
Reported Conflict of Interest
Reported Asset Diversion
Excess Benefit Transaction
Made Political Expenditures
Engaged in Lobbying
Operated Donor Advised Fund
Maintained Art Collections
Filed Form 720

Compensation of Officers, Directors & Key Employees

Total Officers
3
$0
Total Directors
5
$0
Key Employees
1
$82,289
Highest Compensated
0
reported
Name Title Hours/Week Role Reportable Comp Other Comp Total
Adaobi Okolue Executive Director 40
Key Emp
$75,174 $7,115 $82,289
Carolyn Szczepanski Chair 1
Officer Director
$0 $0 $0
Cassandra Fenelon Treasurer 1
Officer Director
$0 $0 $0
Martin Hernandez Secretary 1
Officer Director
$0 $0 $0
Kadra Abdi Board Member 1
Director
$0 $0 $0
Kevin Calla Board Member 1
Director
$0 $0 $0
Note: Compensation data is self-reported by the organization on their Form 990. "Reportable Comp" includes salary, bonuses, and other reportable compensation from the organization and related organizations. "Other Comp" includes benefits, deferred compensation, and non-taxable benefits.

Historical Data

Year Revenue Expenses Assets Net Income
2022 $215,172 $222,238 $314,177 $-7,066
2021 $182,902 $255,687 $320,823 $-72,785
2020 $353,474 $161,804 $413,608 $191,670
2019 $155,282 $193,193 $201,938 $-37,911
2018 $328,209 $258,103 $244,152 $70,106
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