CHICAGO, IL
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Sign In — Free (10 views/day)STEPPENWOLF THEATRE COMPANY, founded in 1975, is a mid-sized nonprofit in the Arts, Culture & Humanities sector that reported $28.0M in total revenue in fiscal year 2024. Revenue grew 9% year-over-year, indicating healthy expansion. The organization ran a surplus of $6.6M, a strong 24% operating margin.
STEPPENWOLF THEATRE STRIVES TO CREATE THRILLING, COURAGEOUS AND PROVOCATIVE ART IN A THOUGHTFUL AND INCLUSIVE ENVIRONMENT. WE SUCCEED WHEN WE DISRUPT YOUR ROUTINE WITH EXPERIENCES THAT SPARK CURIOSITY, EMPATHY AND JOY.
IN SUPPORT OF OUR CORE ARTISTIC TENETS, WE SEEK TO 1) SERVE AS AN ARTISTIC HOME FOR OUR ENSEMBLE AND A LAUNCHING PAD FOR BOLD, NEW WORK; 2) AMPLIFY THE VOICES OF CHICAGO TEENS AND CULTIVATE FUTURE...
IN SUPPORT OF OUR CORE ARTISTIC TENETS, WE SEEK TO 1) SERVE AS AN ARTISTIC HOME FOR OUR ENSEMBLE AND A LAUNCHING PAD FOR BOLD, NEW WORK; 2) AMPLIFY THE VOICES OF CHICAGO TEENS AND CULTIVATE FUTURE GENERATIONS OF ARTISTS AND ENTHUSIASTS; AND 3) PROVIDE A COLLABORATIVE SPACE FOR INDEPENDENT ARTISTS AND COMPANIES TO PROMOTE A STRONGER, SUSTAINABLE, AND VIBRANT ARTS COMMUNITY. STEPPENWOLF PRODUCES HUNDREDS OF PERFORMANCES AND EVENTS IN ITS THREE SPACES: THE 500-SEAT DOWNSTAIRS THEATER; THE 400-SEAT ENSEMBLE THEATER; AND THE 80-SEAT 1700 THEATER. ARTISTIC PROGRAMMING INCLUDES A MAIN SEASON OF PRODUCED NEW WORK AND REIMAGINED PLAYS; PRESENTATIONS OF CABARET, COMEDY AND MULTI-DISCIPLINARY ARTISTS; LIVE PERFORMANCES AND EDUCATION PROGRAMMING FOR TEEN AUDIENCES; AND LOOKOUT, A MULTI-GENRE PERFORMANCE SERIES. (CONTINUED ON SCHEDULE O) IN FISCAL YEAR 2025, STEPPENWOLF'S POST-PANDEMIC RECOVERY STRATEGIC PLAN CONTINUED FOR ITS SECOND YEAR. THIS FOLLOWED AN INITIAL REDUCTION IN FORCE AND TUNING OF PROGRAMMATIC SCOPE FOR THE INSTITUTION IN THE PREVIOUS SEASON THAT REDUCED OVERALL EXPENSES YEAR OVER YEAR. THIS EFFORT ALSO PUT AN EMPHASIS ON EVOLVED PROGRAMING, INCREASED AUDIENCE ENGAGEMENT AND NEW STRATEGIES FOR EARNED REVENUE. OVER THE COURSE OF THE SEASON, FIVE PLAYS WERE PRODUCED ALONGSIDE LIMITED ENGAGEMENTS THAT RESULTED IN 400 PERFORMANCES. TOTAL ATTENDANCE NUMBERS REACHED 100,000 ACROSS THE COURSE OF THE SEASON. MARKETING STRATEGIES SHIFTED FROM PACKAGED SALES (SUBSCRIPTIONS) TO SINGLE TICKET ACQUISITION. PROGRAMMING IN THE EDUCATION AND ENGAGEMENT AREA REACHED NEARLY 15,000 TEENS, EDUCATORS AND COMMUNITY MEMBERS ACROSS CHICAGO'S 77 NEIGHBORHOODS. FOUR OF THE THEATER'S PROFESSIONAL PRODUCTIONS ANCHORED THIS WORK THROUGH LIVE PERFORMANCES OFFERED AS FIELD TRIPS AS WELL AS WRAPAROUND CURRICULUM DEVELOPED FOR SCHOOLS. THE YOUNG ADULT COUNCIL, COMPRISED OF 30 PASSIONATE HIGH SCHOOL AGED TEENS WITH AN INTEREST IN THEATER, REPRESENTED SCHOOLS AND NEIGHBORHOODS ACROSS CHICAGO AS THEY ADVISED ON TEEN PROGRAM AND CURRICULUM DEVELOPMENT FOR THE SEASON. THE SUITE OF EDUCATION PROGRAMS, IN SCHOOLS AND ACROSS OUR ARTISTIC CAMPUS, WERE ROOTED IN AN ETHOS OF ACCESSIBILITY AND BARRIER-FREE PROGRAMMING. BEYOND PARTNERSHIP WITH TEENS AND SCHOOLS, STEPPENWOLF INVESTED IN MEANINGFUL RELATIONSHIPS WITH COMMUNITY ORGANIZATIONS AND ENSURED THAT THE PRINCIPLES THAT GUIDE OUR WORK BOTH ALIGN WITH AND PROVIDE ADDED VALUE TO OUR PARTNERS. WE COLLABORATED WITH MYRIAD PARTNERS ACROSS THE LITERACY SPACE, COMMUNITY DEVELOPMENT, SOCIAL SERVICES, LIBRARIES AND PARK DISTRICTS OF CHICAGO. STEPPENWOLF'S MULTI-GENRE PERFORMANCE SERIES, LOOKOUT, PRESENTED THE WORK OF A WIDE VARIETY OF CHICAGO-BASED INDEPENDENT ARTISTS AND COMPANIES ON A YEAR-ROUND BASIS. LOOKOUT PRODUCED APPROXIMATELY 110 PERFORMANCES OF 30 WORKS, FEATURING 300 ARTISTS AND ENGAGING 7,500 AUDIENCE MEMBERS. THE RESULTING REVENUE PROVIDED MORE THAN $100,000 TO LOCAL ARTISTS. TO SUPPORT THE STRATEGIC PLAN, STEPPENWOLF CONTINUED A FUNDRAISING CAMPAIGN (LAUNCHED AT THE CONCLUSION OF THE 2024 FISCAL YEAR). THE $35 MILLION GOAL IS TWO-FOLD: TO GENERATE FUNDS TO SAFEGUARD THE THEATER'S MISSION-DRIVEN WORK ON STAGE AND IN COMMUNITY, AND TO PAY DOWN THE EXISTING DEBT ASSOCIATED WITH THE CAMPUS EXPANSION PROJECT THAT ADDED A NEW PERFORMANCE VENUE (THE COMPANY NOW OPERATES A THREE THEATER CAMPUS) AND WORKSHOP SPACES TO SUPPORT EDUCATION AND ENGAGEMENT PROGRAMMING.
Financial Health Score (300–850) · Liquidity · Solvency · Sustainability · Efficiency
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Liquidity (40%) • Solvency (30%) • Sustainability (20%) • Efficiency (10%)
Sign In — Free (10 views/day)| 2024 | 2023 | Change | |
|---|---|---|---|
| Revenue | $27,973,239 | $25,552,636 | +0.1% |
| Expenses | $21,343,251 | $20,617,692 | +0.0% |
| Net Income | $6,629,988 | $4,934,944 | +0.3% |
Comprehensive financial analysis: Altman Z-Score, liquidity, solvency, sustainability, efficiency, and growth metrics
Financial Distress Indicator
Liquidity & Cash Position
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Altman Z-Score • Liquidity Ratios • Solvency Analysis • Growth Indicators • Efficiency Metrics
Sign In| Name | Title | Hours/Week | Role | Reportable Comp | Other Comp | Total |
|---|---|---|---|---|---|---|
| CAROLE L BROWN | TREASURER | 5.0 |
Officer
Director
|
$0 | $0 | $0 |
| CHRISTOPHER M MURPHY | SECRETARY | 5.0 |
Officer
Director
|
$0 | $0 | $0 |
| KEATING CROWN | PRESIDENT | 5.0 |
Officer
Director
|
$0 | $0 | $0 |
| STEPHANIE B SMITH | VICE CHAIR | 5.0 |
Officer
Director
|
$0 | $0 | $0 |
| AIMEE GRAHAM | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| AMY BLUHM | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| AMY ESHLEMAN | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| ANNE M PHILLIPS | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| ASHEESH GOEL | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| BETH BOOSALIS DAVIS | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| BRENDA ROBINSON | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| BRUCE SAGAN | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| BRYAN TRAUBERT | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| BRYCE COOPER | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| CARI B SACKS | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| CHANEL W CONEY | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| CHRIS KEOGH | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| COLETTE CACHEY SMITHBURG | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| D CAMERON FINDLAY | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| DAVID BLOWERS | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| DAVID E MENDELSOHN | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| DEBORAH QUAZZO | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| DENNIS CHOOKASZIAN | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| DENNIS D HOWARTER | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| DOUGLAS R BROWN | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| ELLIOT A STULTZ | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| HELEN ZELL | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| HUBERT ALLEN | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| JEFF JOZWIAK | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| JON MICHAEL HILL | TRUSTEE | 5.0 |
Director
|
$18,276 | $0 | $18,276 |
| KAREN RODRIGUEZ | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| L HEATHER MITCHELL | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| LIZ KRAMER LEFKOFSKY | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| LYNN LOCKWOOD MURPHY | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| MARILYNN RUBIO | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| MATTHEW SHAPIRO | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| MICHAEL BRENNAN | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| MICHAEL W BENDER | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| MICHELLE ADAMS | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| NORA DALEY | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| PAUL GOODRICH | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| RACQUEL HARRIS | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| REBECCA L JOHNSTON | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| RICH FEITLER | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| RITU DHINGRA | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| ROBERT S RIVKIN | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| RONALD J MALLICOAT | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| SANDRA MARQUEZ | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| SARAH NORRIS | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| SUSAN O BERGHOEF | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| SUSAN STONE | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| TARELL ALVIN MCCRANEY | TRUSTEE | 5.0 |
Director
|
$10,000 | $0 | $10,000 |
| VERETT MIMS | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| YASEN PEYANKOV | TRUSTEE | 5.0 |
Director
|
$0 | $0 | $0 |
| AUDREY FRANCIS | CO-ARTISTIC DIRECTOR | 40.0 |
Officer
|
$253,875 | $22,833 | $276,708 |
| ELIZABETH BROOKE FLANAGAN | EXECUTIVE DIRECTOR | 40.0 |
Officer
|
$326,288 | $33,605 | $359,893 |
| GLENN DAVIS | CO-ARTISTIC DIRECTOR | 40.0 |
Officer
|
$251,972 | $14,805 | $266,777 |
| ERIC EVENSKAAS | DIRECTOR OF DEVELOPMENT | 40.0 |
Key Emp
|
$166,791 | $27,082 | $193,873 |
| JENNIFER HOYT | DIRECTOR OF SPECIAL PROJECTS | 40.0 |
Highest
|
$118,484 | $4,019 | $122,503 |
| MARIA NONDORF | DIRECTOR OF FINANCE | 40.0 |
Highest
|
$121,696 | $16,896 | $138,592 |
| PENNYMARIA JACKSON | DIRECTOR OF MARKETING & COMMUNICATION | 40.0 |
Highest
|
$120,714 | $2,637 | $123,351 |
| THOMAS PEARL | PRODUCING DIRECTOR | 40.0 |
Highest
|
$140,536 | $17,595 | $158,131 |
| Year | Revenue | Expenses | Assets | Net Income |
|---|---|---|---|---|
| 2025 | $27,973,239 | $21,343,251 | $119,052,173 | $6,629,988 |
| 2024 | $25,552,636 | $20,617,692 | $111,439,122 | $4,934,944 |
| 2023 | $12,210,403 | $22,258,190 | $112,942,728 | $-10,047,787 |
| 2022 | $28,518,890 | $18,320,611 | $121,993,585 | $10,198,279 |
| 2021 | $10,370,800 | $10,994,375 | $121,972,303 | $-623,575 |
| 2020 | $14,170,622 | $17,560,870 | $120,941,523 | $-3,390,248 |
| 2019 | $29,811,780 | $19,090,322 | $120,790,894 | $10,721,458 |
| 2018 | $34,420,238 | $17,965,745 | $74,108,532 | $16,454,493 |
Compare STEPPENWOLF THEATRE COMPANY with other nonprofits in Illinois and across the country.