LATINUS THEATER EXPERIENCE COMPANY

Tu Ternura Molotov: A married couple that society marks as a role model. She is a television channel presenter, and he is a media lawyer. Both feed our daily terrorism with their prejudices and contempt. A daily terror, light, competitive and fashionable. On any given day, when everything seems normal, both are unaware that secrets are waiting to cause the unpredictable. A call from abroad will make the past become present, like a bomb, and nothing will be the same in your marriage. At the pure rhythm of comedy, a wild, crazy work without pauses to talk about our greatest terror, the meaning of identity, and the knowledge that we will never be able to know the person next to us. It's a dark, sexy comedy, only for adults. 16+, Content partial nudity, suggestive sexual content, hate speech, violence, and racism. B Gustavo Ott and directed by Monica Torres

Botanica: Dolores Prida was a feminist and Hispanic dramatist whose central theme was the search for the identity of Latino/Hispanic immigrants, specifically women, in the United States. She was known as the Cubarican, born in Cuba but also well-versed in Puerto Rican culture, learned in New York. She wrote this play, La Botanica, with all Puerto Rican (Nuyorican) characters. La Botanica explores cultural conflicts in East Harlem among an old Puerto Rican woman, her daughter, and her granddaughter, who has just graduated from an Ivy League university. The old woman, Dona Geno, runs a business dealing in herbs, spells, and spiritual powers. She and her daughter, Anamu, expect Anamu's daughter, Milagros Castillo, to take over the shop, La Ceiba. But, Milagros -- who began calling herself Millie at college since, as she says, Miracles Castle isn't a great name in English, plans to take up a career in a big bank downtown and forget about the barrio. But she has things to learn that the Ivy League doesn't teach, and Dona Geno is just the professor she needs.